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Its the first week in December. If you don’t already have the Christmas tunes blasting in the office, what are you waiting for? The debate over listening to music while at work, however, often divides offices. Some love to crank up the music while toiling away, and find silence to be deafening. Others can only listen to background music or instrumental playlists like coffeeshop jazz in the background or LoFi Girl, a genre featuring low-fidelity, calming beats. Some insist on complete silence. As the countdown to the holidays begins, Google searches for Christmas playlist 2025 have spiked this past week. But could listening to Mariah Carey or Michael Bublé on loop be sabotaging office productivity? A study published in the journal Nature Neuroscience found that pleasurable music triggers dopamine release, creating a natural high that can boost energy for mundane tasks. But while listening to music can boost focus and productivity, the BPM, or beats per minute, matter: Research has shown music with a tempo of 50-80 beats per minute is optimal for focus and productivity. When background music at a workplace is out of sync with what workers need to get on with their jobs, it can affect their energy, mood and even performance. So what does this mean for your favorite festive tunes? TopResume analyzed Spotifys most popular Christmas songs and ranked them by BPM to reveal the tracks most likely to derail office concentration in the final weeks of 2025. Bad news for Ariana Grande stans. Grandes Last Christmas takes the top spot as the most distracting Christmas song, with a 206 BPM. This comes in at over triple the recommended BPM of 60-80 for maintaining focus during tasks. Employees may also find Bing Crosby and The Andrews Sisters’ “Mele Kalikimaka (Merry Christmas)” and Shakin’ Stevens’ “Merry Christmas Everyone” somewhat distracting with a 203 BPM. Andy Williams’ “It’s the Most Wonderful Time of the Year” (202 BPM), another Ariana Grande Christmas classic, “Santa Tell Me” (192 BPM) are also best left for lunch break listening. On the other hand, Brenda Lee’s “Rockin’ Around The Christmas Tree” emerged as the most productivity-friendly holiday track, clocking in at just 67 BPM, the optimal tempo range for maintaining concentration. Nat King Cole’s “The Christmas Song (Merry Christmas To You)” and Whitney Houston’s “Do You Hear What I Hear?” tied at 73 BPM. The Vince Guaraldi Trio’s beloved “Christmas Time Is Here” comes in at 75 BPM. Festive favorite Ella Fitzgerald claims two spots with “Frosty The Snowman” and “Sleigh Ride,” both at 77 BPM. The end of the year is an especially demanding time for many professionals. Between wrapping up projects, juggling tighter deadlines, managing holiday commitments at home, and navigating the colder weather and shorter days, its easy for stress levels to creep up, Amanda Augustine, a certified professional career coach and the resident career expert for TopResume, says. Thats why its so important to create a festive atmosphere at work that doesnt sacrifice anyones focus. p>Thats not an excuse to be a Grinch and insist on silence (after all, its Christmas and noise cancelling headphones exist for a reason). Simply swap out Ariana Grande for Ella Fitzgerald in shared spaces and everyones happy. Maybe.
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E-Commerce
Frank Gehry, who designed some of the most imaginative buildings ever constructed and achieved a level of worldwide acclaim seldom afforded any architect, has died. He was 96. Gehry died Friday in his home in Santa Monica, California, after a brief respiratory illness, said Meaghan Lloyd, chief of staff at Gehry Partners LLP. Gehry’s fascination with modern pop art led to the creation of some of the most striking buildings ever constructed and brought him a measure of worldwide acclaim seldom afforded any architect. Among his many masterpieces are the Guggenheim Museum in Bilbao, Spain; the Walt Disney Concert Hall in Los Angeles; and the DZ Bank Building in Berlin, Germany. He also designed an expansion of Facebooks Northern California headquarters at the insistence of the companys CEO, Mark Zuckerberg. Gehry was awarded every major prize architecture has to offer, including the fields top honor, the Pritzker Prize, for what has been described as refreshingly original and totally American work. Other honors include the Royal Institute of British Architects gold medal, the Americans for the Arts lifetime achievement award, and his native countrys highest honor, the Companion of the Order of Canada. Years after he stopped designing ordinary-looking buildings, word surfaced in 2006 that the pedestrian Santa Monica mall project that had led to his career epiphany might be headed for the wrecking ball. Gehry admirers were aghast, but the man himself was amused. Theyre going to tear it down now and build the kind of original idea I had, he said with a laugh. Eventually, the mall was remodeled, giving it a more contemporary, airy outdoor look. Still, its no Gehry masterpiece. Gehry, meanwhile, continued to work well into his 80s, turning out heralded buildings that remade skylines around the world. The headquarters of the InterActiveCorp, known as the IAC Building, took the shape of a shimmering beehive when it was completed in New York Citys Chelsea district in 2007. The 76-story New York By Gehry building (now known as 8 Spruce), once one of the worlds tallest residential structures, was a stunning addition to the lower Manhattan skyline when it opened in 2011. That same year, Gehry joined the faculty of his alma mater, the University of Southern California, as a professor of architecture. He also taught at Yale and Columbia universities. Not everyone was a fan of Gehrys work. Some naysayers dismissed it as not much more than gigantic, lopsided reincarnations of the little scrap-wood cities he said he spent hours building when he was growing up in the mining town of Timmins, Ontario. Princeton art critic Hal Foster dismissed many of his later efforts as oppressive, arguing they were designed primarily to be tourist attractions. Some denounced the Disney Hall as looking like a collection of cardboard boxes that had been left out in the rain. Still other critics included Dwight D. Eisenhowers family, who objected to Gehrys bold proposal for a memorial to honor the nations 34th president. Although the family said it wanted a simple memorial and not the one Gehry had proposed, with its multiple statues and billowing metal tapestries depicting Eisenhowers life, the architect declined to change his design significantly. If the words of his critics annoyed Gehry, he rarely let on. Indeed, he even sometimes played along. He appeared as himself in a 2005 episode of The Simpsons cartoon show, in which he agreed to design a concert hall that was later converted into a prison. He came up with the idea for the design, which looked a lot like the Disney Hall, after crumpling Marge Simpsons letter to him and throwing it on the ground. After taking a look at it, he declared, Frank Gehry, youve done it again! Some people think I actually do that, he would later tell The Associated Press. Ephraim Owen Goldberg was born in Toronto on February 28, 1929, and moved to Los Angeles with his family in 1947, eventually becoming a U.S. citizen. As an adult, he changed his name at the suggestion of his first wife, who told him antisemitism might be holding back his career. Although he had enjoyed drawing and building model cities as a child, Gehry said it wasnt until he was 20 that he pondered the possibility of pursuing a career in architecture, after a college ceramics teacher recognized his talent. It was like the first thing in my life that Id done well in, he said. He went on to earn a degree in architecture from the University of Southern California in 1954. After serving in the Army, he studied urban planning at Harvard University. His survivors include his wife, Berta; daughter, Brina; sons Alejandro and Samuel; and the buildings he created. Another daughter, Leslie Gehry Brenner, died of cancer in 2008. By John Rogers, Associated Press
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E-Commerce
In South Korea several weeks ago, the U.S. and China came to a temporary agreement, in which theyll kick a rare-earth can down the road. The agreement took the form of a one-year pause in the dispute between the two nations over rare earth elements (REEs): China postponed imposing newly announced export controls on 17 different REEs and, in turn, the U.S. announced it would reduce certain tariffs on Chinese goods. For years, the United States and its allies have grappled with a troubling resource reality: China dominates the global supply of REEs and critical raw materials (CRMs)the essential ingredients of our digital age. From smartphones to electric vehicles, from solar panels to advanced weapons systems, our dependence on these materials has left the U.S. economically and strategically vulnerable. While this new deal provides a short-term relief from supply-chain stress, it also deepens the case that we cannot forever rely on Chinas good will or geopolitical timing. Rather than doubling down on negotiations and hoping for stable access, what if we could build a parallel, resilient, and circular system here at home? We actually can. Call it urban mining. ELECTRONIC WASTE Every year, millions of tons of electronic waste and batteries pile up in landfills or languish in drawersold laptops and broken phones, obsolete keyboards, and rusty routers. These discarded gadgets may be junk, but theyre also laden with circular ore. They contain cadmium, lithium, cobalt, and other valuable elements that can be extracted, refined, and reused. Recovery rates on materials in lithium-ion batteries, for example, can reach as high as 98% for cobalt, 95% for nickel, and 90% for copper and aluminum. According to recent studies, the amount of precious and rare metals embedded in global electronic waste is enough to supply many industries for decades. We can leverage that here. If properly recovered, the materials in our existing e-waste could sustain electric vehicle and other manufacturing needs for the next 70 years. Urban mining offers a domestic supply of REEs and CRMsone that doesnt depend on any single foreign states capricious decision to keep exporting. A NEW KIND OF SUPPLY CHAIN Urban mining is more than recycling. Its about re-engineering the supply chain, turning structurally excluded communities into decentralized resource hubs where waste becomes a renewable source of critical materials. Imagine a network of regional recovery centers across North America and Europe processing old electronics with advanced separation and extraction technologies. These urban hubs could feed the domestic market with a steady stream of critical materialsno freighters, no tariffs, no geopolitical strings attached. We know the great potential of this approach because the Circular Supply Chain Coalition (CSCC) has tested these efforts already. As the founding convener of the CSCC, my company, Pyxera Global, conducted a pilot effort in Tennessee with leading circular supply chain partners who know a thing or two about reverse logistics. Developing a robust urban-mining ecosystem could also create green jobs, boost local economies, and reduce our carbon footprint. More importantly, it would grant the countries in which the CSCC operates and its partners true mineral sovereignty. Instead of negotiating access to foreign mines, we could mine our own cities, transforming dependence into resilience. In that light, urban mining stands out as a strategic insurance policy. If we build capacity to recover and reallocate critical materials domestically, we reduce external providers bargaining power. We cant just dig our way out of this problem, nor do we have to. The minerals we need arent just buried deep in the earth. Theyre sitting in our homes, offices, and landfills, waiting to be reclaimed. Urban mining offers us a future of independence, innovation, and sustainability. The next gold rush isnt in them thar hills. Its in our landfills, garages, and junk drawers. Deirdre White is president and CEO of Pyxera Global.
Category:
E-Commerce
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