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For budding influencers, class is now in session. Jessica Henig, founder of Unlocked Branding, is rolling out Social Media University, a new platform launching today that promises to decode the influencer industry for the next wave of creators and industry professionals. The platform is free to join. We wanted it to be accessible for anyone who is interested in building a career in media and their network, Henig tells Fast Company. This community was built on after years of successfully building talent into top tier brands themselves, and weve seen such high demand from others who want to know where to start. Henig knows the formula, after helping shape some of the internets It-talent, including Alicia Breuer, Millie Leer, Pia Mia, and Montana Brown among them. Those who sign up can expect a mix of online and in-person interactive masterclasses with leading industry voices, seminars, trips, and community events, as well as mentorship and behind-the-scenes access to Unlocked Brandings global network of creators and partners. The missing link from young people, over the past few years especially, has been that they are missing in person community, says Henig. Working for yourself can be isolating sometimes and we want to get everyone in the same room to foster connections and creativity. With rising unemployment and a college degree no longer guaranteeing a career path, the creator economy has become a bright spot for young people navigating a bleak job market. The number of creators globally is expected to grow at a compound annual rate between 10 and 20% and the total addressable market is expected to increase to a projected $500 billion by 2027, according to Goldman Sachs. Gen Z and Gen Alpha are fully bought in. Over half of Gen Z wants to become influencers, according to a Morning Consult survey. A 2024 Whop survey found that the top two career aspirations among Gen Alpha are YouTuber and TikTok creator. With the influencer industry being so new in comparison to more ‘traditional’ career and education paths, theres a huge education context gap when it comes to breaking into the industry, says Henig. Ive built talent up from the start of their careers, many of which started as early as 16 years old, and found that the intense experiential nature of the social media industry set them up for incredible success and long term career paths in the real worldwithout having to go to a traditional university route. For those after a traditional education experience, Syracuse University recently announced its new Center for the Creator Economy, looking to train the new class of influencers, streamers, podcasters, and YouTubers. Still, one of the biggest selling points of a career in content creation is precisely the fact it doesnt require a degree or hundreds of thousands of dollars of student debt that come with one. Starting out as a content creator has never been easier, you mostly need a phone and a dream. Yet, because of the low barrier to entry, the industry is saturated and some expert guidance could be that all-important leg up. People should sign up if they want valuable insight, to understand the economics of the industry and how it affects strategy and work, says Henig. And a community of people that share similar values to want to stay at the forefront of what is moving the needle.
Category:
E-Commerce
President Donald Trump has always been a master marketer. He is particularly adept at lending his name to products and buildings, which has proven to be a lucrative business. Now in office, he’s bringing that same licensing mindset to the very act of governing. Last week, the State Department said it renamed the U.S. Institute of Peace (USIP) after Trump and put his name on its building in Washington, D.C. This comes after Trump fired the board members and nearly all U.S. employees of the USIP. The USIP’s open, natural-light-drenched headquarters was designed by Safdie Architects to symbolize conflict resolution. But it has ironically become the flashpoint of what former board members have described as a hostile takeover of the federally funded independent nonprofit in Trump’s second term. DOGE staff and police entered the building in March, but USIP took control two months later after a judge ruled the firings were illegal. Then a federal appeals court stayed the ruling in June. The building’s switched hands several times, and with it back in the Trump administration’s hands, they’re looking to make it formal with signage. The US Institute of Peace (USIP) in Washington, D.C., on Friday, December 5. [Photo: Alex Kent/Bloomberg/Getty Images] The politics of unearned credit The building’s new “Donald J. Trump” signage is just the latest example of a larger trend where Trump has assigned his name to policies and initiatives that he once opposed. For example, Trump campaigned against the infrastructure bill signed into law by then-President Joe Biden in 2021, and yet Trump’s name went up earlier this year on new signage in Seattle for an Amtrak rain project funded by Biden’s bipartisan law. “President Donald J. Trump, Rebuilding America’s Infrastructure,” the bright “Make America Great Again” hat-red sign says. The words, “Funded by the Infrastructure Investment & Jobs Act,” are written in smaller type below. Then there’s the Nation Park Service (NPS), which Trump has taken an axe to, cutting staff 16.5% and the budget by more than a third. Still, Trump’s image is going on two designs for next year’s annual NPS passes. The Interior Department is also making Trump’s birthday, which falls on Flag Day, one of several “resident-only patriotic fee-free days” to parks next year while dropping it for MLK Day and Juneteenth. When Trump put his name on stimulus checks funded through the CARES ACT, passed in response to the COVID-19 pandemic in 2020, it was unprecedented, the first time a president’s name had appeared on an IRS disbursement. Now, it seems, it’s just politics as usual. The man who once gave us Trump Steaks now seeks to gives us a Trump peace institute, and some might say its good politics. Biden called it “stupid” that he didn’t put his own name on stimulus checks funded through the 2021 American Rescue Plan. But with Trump’s approval at a second-term low of 36%, according to Gallup, these branding efforts don’t exactly seem to be working.
Category:
E-Commerce
Judge a book by its cover, and you might think that American Canto, the memoir by Vanity Fair‘s outgoing West Coast editor Olivia Nuzzi, is destined to be a classic. The memoir, which chronicles Nuzzi’s drama-filled life and career as a political reporter in the Trump era, features a strikingly simple cover that serves as shorthand for the book’s ambitions. The intent was to give the book a clean, no-frills design that felt both classic and contemporary, says Simon & Schuster senior art director Alison Forner, whos also designed book covers like Ezra Kleins all-type cover Why Were Polarized and Garrett M. Graffs Watergate: A New History. [Cover Images: Simon & Schuster] Nuzzi’s book features a stark white cover with the title and her name rendered in a serif typeface inspired by fashion magazine typography of the 1980s. The typeface does a lot of work for the book, which appears to be off to a slow start amid the ongoing media storm surrounding its rollout. A political reporter since 2014, Nuzzi was fired last year from New York magazine following an alleged relationship with now-Health Secretary Robert F. Kennedy Jr. Her publisher Simon & Schuster describes the much buzzed-about book by what it’s not: “not a memoir, nor a tell-all, nor a book about the president,” but “a character study of a nation undergoing radical transformation in real time.” Critics have called it a “tell-nothing memoir” that falls short of its ambition and is less interesting than the scandal that surrounds it. [Cover Images: Wiki Commons] Typographic covers using a vintage-inspired font is a surefire way to evoke a classic mid-20th century look, like in covers for John F. Kennedy’s 1956 Profiles in Courage or Robert A. Caro’s 1990 The Years of Lyndon Johnson: Means of Ascent. Most bestselling books today, however, use pictures and illustrations. On the New York Times nonfiction bestseller list, just two books have type-led covers, and both have numbers in their titles and also use other visual elements. (Andrew Ross Sorkins 1929, about the year’s market crash, uses a cratering market line to divide the bright red cover, and the cover of former Vice President Kamala Harriss 107 Days about her 2024 campaign counts down in serif numerals from 1 to 107 on a blue background.) [Cover Images: PRH, Simon & Schuster] American Canto goes further, relying on just text and a subversively patriotic white, red, and black color palette to communicate its message. I wanted something simple and evocativered, black, and white give the jacket an urgent minimalism, Forner tells Fast Company. Olivia specified wanting a red without blue undertones, and I was more than happy to oblige. To capture the right shade of red, Nuzzi sent still photos of wildflower petals and cropped stills from films by director Martin Scorsese, including a scene in Goodfellas where a bodys in the back trunk of a car and the taillights are lighting up the fog. “When there’s no imagery to rely on, every detail becomes extremely importantfrom the typeface choices and letter spacing, to the negative space and color,” Forner says. “They all need to work on an almost subliminal level to become the ‘voice’ of the book.”
Category:
E-Commerce
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